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David Bowie’s Widow Iman attends Black Panther premiere

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DAILY MAIL — She has made a gradual return to the social scene, after taking some time away from the limelight, following the January 2016 death of her husband David Bowie.

And Iman showed off the supermodel prowess that first caught the eye of her late rocker husband, when she attended a special screening of Black Panther of Tuesday.

The 62-year-old beauty looked radiant as she arrived at the Museum of Modern Art in a shimmering silver floor-length gown, which she teamed with a stylish head wrap.

She has made a gradual return to the social scene, after taking some time away from the limelight, following the January 2016 death of her husband David Bowie.

And Iman showed off the supermodel prowess that first caught the eye of her late rocker husband, when she attended a special screening of Black Panther of Tuesday.

The 62-year-old beauty looked radiant as she arrived at the Museum of Modern Art in a shimmering silver floor-length gown, which she teamed with a stylish head wrap.

Iman made a triumphant return to the spotlight last year, following the death of her beloved husband David in January 2016.

Last summer, she paid a moving tribute to the late musical icon on what would have been the couple’s 25th wedding anniversary.

The Somalia-born beauty shared a post to remember her singer love, who tragically died aged 69 after a secret battle with liver cancer.

Alongside a black and white picture of the pair, a short piece of text read: ‘I would walk forever, just to be in your arms again.’

The image was captioned by Iman with the simple words: ‘June 6th #BowieForever’.

Bowie and Iman officially married in Switzerland in April 1992, but held a church ceremony in Italy on June 6 of that year.

They had one daughter together, Alexandria, who’s now 17. She is also the mother of 39-year-old daughter Zulekha, from her marriage to marriage to former basketball star Spencer Haywood.

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Arts & Culture

Somali Funk Music in the 70s: Caashooy by Ahmedey Abukar

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Caashooy by Ahmedey Abukar, a blind singer.

This song is the first of a series of five recordings that tell the story of Abukar’s tragic & unrequited, love for a woman named Asha

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Arts & Culture

Take a Journey Back to a Simpler Time in Southern Somalia

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Fashion

Muslim models take over runways at Milan Fashion Week

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ARAB NEWS — DUBAI: From Somali-American star Halima Aden to lesser known beauty Amina Adan, hijab-wearing models and beauties of Muslim descent are taking Milan Fashion Week by storm.

Both models walked for Max Mara in the brand’s Autumn/Winter 2018 show on Thursday, alongside such fashion stars as Gigi Hadid and Cindy Crawford’s daughter, Kaia Gerber.

Aden sported a silky headscarf and skirt-and-trousers combination while Adan, who was raised in Denmark, showed off a grey checkered blazer paired with a black leopard-print scarf.

After the show, Adan took to her Instagram page to thank Max Mara for the experience, posting: “Thank you for this amazing experience, @maxmara.”

Far from being the only Muslim models to take Milan by storm, the pair were joined in the fashion-forward city by models-of-the-moment Gigi and Bella Hadid, both of whom walked in a variety of shows, including Missoni, Versace and Alberta Ferretti.

For her part, Imaan Hammam, a Dutch model of Egyptian and Moroccan descent, walked the runway for Versace on Friday, dressed in a figure-hugging, belted black mini-dress.

However, despite the two hijab-clad models and litany of international names garnering praise from pro-diversity fashion insiders, some critics are slamming Italian fashion house Gucci for outfitting white models with headscarves and turbans in the brand’s Feb. 22 show.

Actor and model Avan Jogia sparked debate on Twitter after he tweeted a photo of a white model wearing a turban, saying: “Yo, @gucci… I mess with you guys… but this isn’t a good look for you… could you not find a brown model?”

Meanwhile, fashion photographer Faiyaz Kolia told Indie magazine that “Gucci got to pick and choose from cultural imagery all the things that are aligned to their ‘fantasy’ narrative without any consequences, and then so easily put on white skin… What message does that send? That it’s ok to wear a hijab if you’re young, beautiful, rich, and white but not if you’re actually a Muslim or a person of color?”

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