Aamir Khan is one of the most popular and influential Bollywood actors in India today. He became a star of Hindi cinema in the 1980s, and his greatest commercial successes have been the highest-grossing Bollywood films of all time.
Yet in 2012, Khan’s career took an unexpected turn. Together with a childhood friend, he created a TV series called Satyamev Jayate which became the first prime time TV show in India to expose the country’s most critical social issues – from rape to female foeticide and dowry killings.
Aamir Khan was used to portraying macho men on a quest for vengeance and belongs to an industry accused of denigrating women and encouraging sexual violence.
But now, the 48 year old actor with Peter Pan charm risks his career by challenging men to re-examine their attitudes and behavior towards women, confronting the spiraling wave of gender-based violence in India and defying age-old stereotypes.
The snake charmer follows Khan on a journey through India’s TV and Bollywood film industry, as he attempts to change the way Indians perceive and treat women.
From the set of Satyamev Jayate, the film follows Aamir Khan backstage to his new Bollywood blockbuster Dangal.
Khan’s quest ultimately opens a window into a country in crisis and into the changes it is undergoing.
Kenyan-Somali, black, Muslim and Canadian: new doc explores Canada’s hyphenated identities
Short documentary ‘Hyphen-Nation’ by 22-year-old Torontonian puts five black women in conversation
A new documentary by a 22-year-old Toronto filmmaker is analyzing what is means to be an immigrant in Canada.
Directed and produced by Samah Ali, Hyphen-Nation features a 14-minute conversation between five women of colour that is inspired by her own cultural experience.
The women discuss how their cultural heritage influences their identities as Canadians and immigrants.
“The whole conversation is what’s your hyphen?” explained Ali, calling her debut film a “nuanced” discussion about what black Canadian identities look like.
“And that’s what opens it up to so many people to identify with because whether it’s themselves or their family members who have an immigration story, everybody typically has a hyphen.”
The women are asked if they identify with being black Canadians.
Ali explains this is both liberating and tragic. She identifies as a Kenyan-Somali woman, along with a Muslim woman and a black woman.
“I don’t know if I identify strongly as a Canadian, but definitely when I leave Canada I identify as a Canadian,” she said despite being born and raised in Toronto.
“The other parts of my identity, the ones that are more visible, the ones that I practice everyday are definitely the ones that are on the forefront of my mind. Compared to my Canadianness, it’s something that I’m not really aware of until I have my passport and I’m travelling to other countries.”
Sojin Chun, programmer for Regent Park Film Festival, says the short documentary captures the theme of the festival.
“We really want to show different narratives that you wouldn’t normally see through other means, through the mainstream media,” she said.
The three day event is free and showcases the work of women of colour which reflects Toronto’s east end neighbourhood.
“We really make sure we represent all the cultures that are present in Regent Park,” said Chun.
Ali explains this is why she wanted Hyphen-Nation to premiere at the film festival.
“I want this film to foster a greater community, not only in Canada, but also worldwide.”
Africa’s Billion Pound Migrant Trail – A Documentary
Benjamin Zand investigates the extraordinary scale of people-smuggling across sub-Saharan Africa, asking if EU efforts to tackle the smugglers could be leaving some migrants in an ever more dangerous limbo. He reveals how hard it will be to stop the trade and traces the smuggling route from the shores of Libya, the gateway to Europe, back through the ghettos in the deserts of Niger, where the local economy is dependent upon human trafficking.
The Incredible Story of Somali Wildlife Filmmaker (Documentary)
Watch the incredible story of Abdi Jama, a Somali man who gave up his high paying job in America to become wildlife storyteller using film as a medium.